Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The Adventures of Tintin with Tintin in America in 1932, and the series subsequently became a defining part of the Franco-Belgian comics tradition. In 1946, Hergé re-drew and coloured Tintin in the Congo in his distinctive ligne-claire style for republication by Casterman, with further alterations made at the request of his Scandinavian publisher for a 1975 edition. In the late 20th century, Tintin in the Congo came under criticism for both its perceived racist colonial attitude toward the Congolese and for its glorification of big-game hunting; accordingly, attempts were made in Belgium, Sweden, the United Kingdom, and the United States to either ban the work or restrict its availability to children.